Up For Discussion: Glass Secessionism
Guest Speakers: Christina
Bothwell & Robert Bender
Friday, June 8th
Notes from Jessica Curtis, Asheville Art Museum Communications Intern
When you think of the word
glass, what comes to mind?
A window? A picture frame?
To most, glass is
stereotypically seen as an every day, inanimate object. Seen through artistic
eyes, however, Christina Bothwell and Robert Bender perceive glass very
differently.
Christina Bothwell and
Robert Bender are both artists featured in the Glass Secessionism exhibition at Blue Spiral 1, which celebrates
the 50th anniversary of the Studio Glass Movement and its relation to the
region dating back to 1962.
The tour began in Asheville
Art Museum’s current exhibition, Fire on
the Mountain: Studio Glass in Western North Carolina, also celebrating the
50th Anniversary of the movement. Participants were not only able to
visually interpret the exhibitions but were also fortunate enough to hear from
Christina and Robert, who narrated the exhibitions, touching upon the
development, style, and intent of their respective works.
Nancy Sokolove, Adult
Programs Manager, organized the special Up For Discussion tour of Studio Glass,
introducing Robert and Christina’s work at the start of the tour as having a
“narrative quality”. Robert expanded on the idea of narrative quality in his
work by stating that, “although he has always been an artist, his first art
form was not glass blowing, but rather writing and illustrating children’s
novels”. It was not until meeting his wife, Christina Bothwell that their glassworks
began to thrive. Christina spoke of her passion for glasswork being
“intoxicating” as it “takes over” and acts like a “40 watt bulb with a thousand
currents”. Robert then stated how their relationship coincides with their
glasswork commenting, “We helped each other technically and creatively.”
With both Christina and
Robert being self-taught glass artists, many of their techniques arose from
mistakes and experiments made throughout their glasswork practice. One of their
personal experiments with glass is the technique of combining Bullseye glass (a
high-priced glass) with Opaque glass (a lower-priced glass). Although this
practice of combining the two glasses is untraditional, Christina and Robert
found that the cost effectiveness and resulting product were worth maintaining
their untraditional approach.
In addition to combining
different types of glass, Christina also stated that she likes when bubbles
occur in her works stating, “[they] are my favorite thing.” Commenting on her personal
glass blowing techniques she stated, “You get surprises and you just have to
work with them.” Christina and Robert then concluded that it was through their
self-taught nature with glass that they could break away from the “technical
perfection” of other glass artists.
Both Robert and Christina
give credit to the glasswork community, which Christina later referred to as
the “Artist Covenant”, for their boldness and success.
Nancy Sokolove stated,
“That is what the glass workers are known for…their sense of community.”
Robert’s final statement on
the topic was that the glassworker’s sense of support and community was simply
“good karma”.
At the conclusion of the
tour, Christina was asked why she chose glasswork over ceramics. She replied,
“Glass transmits light and clay doesn’t…it just seems more alive to me.”
Up for Discussion: Glass Secessionism, provided
participants with a new perception of glass. After time spent seeing glass
through the eyes of artists Christina Bothwell and Robert Bender, glass
expanded beyond that of an everyday inanimate object to become a material of
art, transformation and creation.
The Asheville Art Museum
regularly organizes and leads a wide variety of artist discussions, guided
tours and related public programs for audiences of all ages. For more
information about adult education programs, please contact Nancy Sokolove at
828.253.3227, ext. 120, or email nsokolove@ashevilleart.org.
A comprehensive list of upcoming summer programs and events is listed on the
Museum’s Web site at www.ashevilleart.org.
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The Asheville Art Museum regularly organizes and leads a wide variety of artist discussions..........
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