Asheville Art Mob & Andy Farkas from Aaron Morrell on Vimeo.
Saatchi Art
4 years ago












 For more photos of the night, check out our Facebook Photo Album.
  For more photos of the night, check out our Facebook Photo Album. 
 If you don't know who Ken Fandell is, you should. Not only is he a great photographer, and a really nice guy, but he also shares my taste in beer- which is really important, because this is Asheville after all.
If you don't know who Ken Fandell is, you should. Not only is he a great photographer, and a really nice guy, but he also shares my taste in beer- which is really important, because this is Asheville after all. Fandell is an internationally acclaimed photographer who lives and works in Chicago and teaches at the Chicago Art Institute.  His work comments on the interesting interplay of high and low culture, concerns of artist ownership and issues of permanence. He takes hundreds upon hundreds of pictures of the sky and collages them together to make one image, reflective of movement- of space and of time- all of which are stopped by the taking of a photograph and the capturing of a moment, but are still hinted at by this capturing itself. In Fandell's own words, his interest with these works lies in "the complexity of the composition mixed with the duration of time". His interplay interestingly positions the conceptual against the romantic, instilling a humor in the work that is both intelligent and creatively original.
Fandell is an internationally acclaimed photographer who lives and works in Chicago and teaches at the Chicago Art Institute.  His work comments on the interesting interplay of high and low culture, concerns of artist ownership and issues of permanence. He takes hundreds upon hundreds of pictures of the sky and collages them together to make one image, reflective of movement- of space and of time- all of which are stopped by the taking of a photograph and the capturing of a moment, but are still hinted at by this capturing itself. In Fandell's own words, his interest with these works lies in "the complexity of the composition mixed with the duration of time". His interplay interestingly positions the conceptual against the romantic, instilling a humor in the work that is both intelligent and creatively original.

Images: Ken Fandell with Collectors' Circle member Ray Griffin; Ken Fandell's talk during the Collectors' Circle gathering; Visitors gather around Ken Fandell's All the Skies Above, 2006
